Inbal Lieblich

Portfolio site for Inbal Lieblich

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Thørst

  The title itself provokes an almost physical sensation – a bodily urge fueled by an essential need. TØRST is a powerful duet for two male dancers, a duet on Continue reading →

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Book & Me

A ‘Book Intervention’ Based on activities that children and parents share towards creating their own special bedtime story. Using the Book&ME application, they take photos from their daily surroundings, later Continue reading →

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Frijilets

Audio controls that live on your refrigerator. At their most basic, Frijlets are a set of audio controls that attach to your refrigerator with magnets. Individual blocks perform specific functions Continue reading →

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&Me

A second hand customizing label I created in 2006. This is a collaboration between me and established labels which are unaware of my existence. I customize second hand garments and Continue reading →

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Living room

  LIVING ROOM is a room in motion, evoked not just by the dancers but also by an almost organically living video scenography. The floor starts to move, the floor Continue reading →

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Memory of an empty space

memory of an empty space Thirty spokes meet in the hub, but the empty space between them is the essence of the wheel. Pots are formed from clay, but the Continue reading →

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hungry cat

A cat with handmade embroidery on his mouth which reads “tori” – meaning”a bird” in Japanese. The cat’s eyes have an illustration of a bird ‘s silhouette, which emphasizes the Continue reading →

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Hand made

The hangers designed as a couple with gender indicated by their hands. Both ‘wear” the garment indirectly as a statement about the exaggerated importance people tend to attribute to objects. Continue reading →

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A close look into a happy end

  Site specific installation and art to wear performance in Nardini’s distillery, Bassano del grappa, Italy. the characters developed through workshops with the dramaturg Itzik July, and in private session Continue reading →

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computer vision

The project is an experiment in exploring the aesthetics of computer vision; using code and physical immersion to “rearrange” the representative logic of the software program. As we know, the Continue reading →

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